An Aboriginal player, and number 37 for the Sydney Swans, Adam Goodes was singled out for verbal abuse, booing and jeering by spectators from a range of clubs during the last three yea. 0000003986 00000 n Those unfamiliar with Australian football are unlikely to become adherents after watchingThe Final Quarter, a documentary that weaves together archival footage to tell the story of Indigenous player Adam Goodes, whose outspokenness about racism led to a cavalcade of jeers and finally to his exit from the game. Request an update here. Our Watching the Film lessons are designed to support you in facilitating this process. Darlings approach differs in that his intention in many respects is more ambitious, and certainly more relevant to Australian society, than the more familiar price of fame and portrait of obsession style narratives. Learn more about the film here. "The Final Quarter" is a 75 minute documentary of archival media footage related to Australian indigenous AFL (Australian Football League) player, Adam Goodes. Using only archival footage aired at the time, the film holds a mirror to Australia and is an opportunity to reconsider what happened on and off the footballfield. 0000042939 00000 n At various points during this film I felt cold shivers, and left the experience shaken not by what The Final Quarter says about the sport of AFL, but what it suggests about this country. 0000003887 00000 n I see a man down: booing and being Adam Goodes", "Proud Goodes stands by war cry celebration", "Adam Goodes booing: Gillon McLachlan calls for footy to get its respect back as captains of all 18 AFL clubs make plea to fans", "#istandwithadam: Social media campaign rallies for Sydney Swans star Adam Goodes", "Swell of support for Adam Goodes as Sydney Swans play Adelaide Crows at SCG", "Goodes reveals he almost retired after booing controversy", "Swans champion Adam Goodes calls it a day", "AFL says 'sorry' for not protecting Adam Goodes sooner from racist booing", "Retired Sydney Swans legend Adam Goodes would have been booed on grand final day, says Tim Watson", "Adam Goodes documentary sparks outpouring of remorse from AFL fans", "Ten to air Adam Goodes documentary, The Final Quarter", "AFL great Adam Goodes is being booed across Australia. In the final three years of his playing career he became a lightning rod for a heated public debate and widespread media commentary that divided the nation. We want all Australians to feel they belong and that they have a stake in the game. The Final Quarter Teaching Resources The Final Quarter Curriculum Resources Fighting against Racism through Education. 0000001256 00000 n It is essential that teachers watch The Final Quarter documentary in full before showing it to students. Adam Goodes, captain of the Sydney Swans, at the end of the 2012 AFL grand final at the MCG. This lesson will be centred around the acclaimed 2019 documentary, The Final Quarter. Mise en Scene is an integrated design concept which refers to what we see on screen in a film. Extraordinary media coverage and audience response across newspapers, radio and TV, largely praising the way the film objectively revealed the truth about the last three years of Adam Goodes career. 0000003092 00000 n Tracy works closely with parents and teachers to support young people with issues such as anxiety, learning needs, depression, confidence, and behavioural challenges. Cool Australia acknowledges the traditional custodians of the land on which we live, learn and work, and pays respect to their Elders past and present, and to all Aboriginal and Torres Strait Islander peoples. 0000019988 00000 n Whether tearing up football fields across during his 372-game stint for the Sydney Swans, or standing up against prejudice both in the AFL and in Australian in general, Adam Goodes' name has been splashed across the headlines plenty of times over the past two decades. It is recommended that students have seen the film in its entirety before commencing specialist lessons. The AFL Players Associations Indigenous Advisory Committee also issued a statement, and there was an outpouring of emotion from the Indigenous players who called for all to fight against racism. Failure to call out racism and not standing up for one of our own let down all Aboriginal and Torres Strait Islander players, past and present. We acknowledge and pay our respects to their cultures and traditions, and to Elders past, present and emerging. Adam Goodes during the 2015 semi-final between the Sydney Swans and the North Melbourne Kangaroos. Why might companies like Shark Island Productions be beneficial for the Australian media industry and Australian audiences in general? Andrew Bolt, Alan Jones and Sam Newman haunt Ian Darlings film like ranting apparitions. They specialise in creating documentaries that educate the public about important social issues. | Michael Safi", "Watching Goodes film was like a punch to the face", "Acclaimed Adam Goodes Doco 'The Final Quarter' Will Hit TV Screens Next Month", "Adam Goodes: The Final Quarter film set to air on Channel 10 in July", "The Final Quarter review exhilarating Adam Goodes documentary pulses with urgency", "The exhilarating Adam Goodes documentary The Final Quarter is a must-see", "goodes-documentary-a-film-for-all-including-those-who-booed-him-20190530-p51ssm.html", "syd-film-fest-review-the-final-quarter-records-shameful-treatment-of-adam-goodes-258190", "AFL apologises unreservedly for failures over racism faced by Adam Goodes", "Club statement: 'The Final Quarter' documentary", https://en.wikipedia.org/w/index.php?title=The_Final_Quarter&oldid=1102231855, Documentary films about Australian rules football, All Wikipedia articles written in Australian English, Short description is different from Wikidata, Rotten Tomatoes template using name parameter, Creative Commons Attribution-ShareAlike License 3.0, 2019 Best Reporting of an Issue in Sport (Winner), 2019 Best Documentary Feature, Asian Academy Creative Awards: Grand Final winner (World) and Regional Winner (Australia and New Zealand), 2019 Best Editing in a Documentary - Sally Fryer (Winner), 2019 Best Editing in a Documentary Feature - Sally Fryer (Winner) Australian Screen Editors Ellie Awards, 2019 Best Sound in a Documentary (Nominee) Australian Screen Sound Guild, This page was last edited on 4 August 2022, at 01:34. Topic: Learning Through Film, Social Issues, Indigenous Education, This lesson is part of the wider unit of work: The Final Quarter Assembling Archival Footage Media Arts Years 9 & 10. Some elements that are used are mise en scene, cinematography, editing, and the soundtrack. Screen Australia is not responsible for and does not endorse any Third Party Sites' use, effect or content or any associated organisation, product or service on the third party site. write an analysis based on the conventions of archival documentaries. In this lesson students will learn about archival documentary filmmaking conventions and apply their analytical skills to scenes from The Final Quarter. [21][22] The director's statement about the film states that he did not want to explicitly choose a side but instead wanted to present the footage and allow "the audience to see and hear for themselves what had happened, to ask their own questions and to come to their own conclusions". Goodes took indefinite leave from the game in August of the 2015 season. Producers: Mary Macrae, Ian Darling 0000013810 00000 n Music, still images and diction-ary definitions have been added to heighten the message of The Final Quarter. -EpDLYA~cORC#YRK-mhzioMK3mTm5S,^OphMQ#mxuGZck{u?z],l^lmQ2U[++e8)i,lIca4aC]FSx. Use the film to educate young people about racial vilification at a grassroots level and continue outreach to ensure The Final Quarter continues to have a long-term and lasting legacy. Being independent means they are not owned by a major media company. Production companies: Thirty Seven Films, Shark Island Productions If teaching in a context with a high proportion of Aboriginal and Torres Strait Islander children, it is imperative that guidance is sought from the Principal and Aboriginal Education Officer (or equivalent) prior to screening the film. Explores how privilege operates in Australian society and encourages thinking about how to acknowledge and challenge white privilege to create a fairer society. hb```f``a`c`gd@ A2 , ]p&V0]~l[8mNg[YUyg)&t28~rd]3fW'd:e The Final Quarter takes a confronting look at the controversies that marred the Sydney star's exit from the game and is an opportunity to reconsider what happened on and off the football field. It was produced by Shark Island This despite the nuance with which he spoke about the incident, and his carefulness to lay the blame on her environment, rather than on the girl herself. Retrieved fromhttps://fbiradio.com/ian-darling-yvonne-sampson-last-days-adam-goodes-career/, Shark Island Production. Students understand the definition of archival documentary and the process of selection and omission to construct meaning for the audience. [24] It had its World Premiere at the 2019 Sydney Film Festival. Explores the power and influence of the Australian media and its responsibilities, including the broader publics engagement with social media. Honing in on Goodes' last three seasons as an AFL player up until his . This is what was seen. The second Goodes-focused doco, The Australian Dream, will surface in August. Following the screening, the ABC's Fran Kelly talked with Darling, ex-footballer Michael O'Loughlin and AFL Inclusion and Social Policy Manager Tanya Hosch about the film, Adam Goodes . The racially motivated vilification and unsympathetic voices from audience members and commentators increased to the point where he left the game on which he had built his career. As the name suggests, The Final Quarter focuses on the last stages of Goodes' time in the AFL when he was verbally attacked by spectators and high-profile media figures, relentlessly booed at games, put under immense scrutiny for celebrating his Indigenous heritage, accused of staging for free kicks and ultimately chose not to play for a period due to the toll he was under. Reconciliation in Education is a program for Reconciliation Australia that supports all schools and early learning services in Australia to develop environments that foster a higher level of knowledge and pride in Aboriginal and Torres Strait Islander histories, cultures and contributions. But there is one key figure who is conspicuous by his complete absence. Explores what it means to be Australian, and how we express our individual and collective identities. 0000008383 00000 n 2022 Shark Island Productions and Cool Australia. The filmmaker's sympathies are not in doubt, though his decision to avoid talking heads - relying instead on contemporaneous television coverage - makes his . Unsurprisingly, it's also both moving in displaying the AFL champ's dignified response to such horrors, and infuriating in its thorough examination of his ordeal. Upon hearing the abuse, Goodes pointed the girl out to security, who ejected her from the stadium. Given that Adam Goodes retired in 2015, why do you think Shark Island Productions thought it important to share the Adam Goodes story with audiences four years later? Keywords: film, documentary, analysis, analyse, media, The Final Quarter, archival, footage, conventions, Aboriginal and Torres Strait Islander, AFL, footy, football, perspective, point of view, techniques, editing. We strongly recommend each unit is delivered in the recommended sequence to achieve maximum impact and understanding of the concepts. It begins in 2013 when Goodes, at that point a veteran of the game, singled out an opposing teams supporter for calling him an ape during a match. 0000007932 00000 n [5], On 24 May 2013, during the AFL's annual Indigenous Round (the Sir Doug Nicholls Round), a 13-year-old Collingwood supporter called Goodes an "ape". The Final Quarter is the best Australian documentary ever made, A powerful work that stirs deep emotions., It is brilliant work, and a must-watch., A compelling, often devastating, documentary, You dont have to care about football for this movie to hit home., Shark Island Institute acknowledges and pays respect to the past, present and future Traditional Custodians and Elders of Country and the continuation of cultural, spiritual and educational practices of Aboriginal and Torres Strait Islander peoples. On the conventions of archival documentary and the soundtrack belong and that they have a stake in game... 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